Editor’s note: Nanna is not easy to pin down. She moves between things rather than settling into one fixed way of being – something she also recognises in herself. There’s a looseness in how she speaks and thinks, where ideas branch out and overlap, not always in straight lines, but with a kind of instinctive clarity underneath. What becomes apparent is a way of approaching things differently. Not as a statement, but as something that simply happens. Familiar forms shift slightly, take on another direction, and end up somewhere you didn’t expect. At the same time, there’s a tendency to downplay it – as if it’s nothing special, even when it clearly is.